​音樂會 Concert

2026第三屆「臺灣國際大提琴藝術節」將於國家兩廳院、臺中國家歌劇院及衛武營、雲林三秀園共演出六場系列音樂會，以別開生面的四套曲目大膽呈現東西方文化的交融與創新，從經典名作、現代精品到委託新作，從獨奏、與鋼琴二重奏、室內樂到協奏曲齊綻，讓臺灣樂迷有機會親炙國際大師名家演繹東西文化交織的數百年風華，發現大提琴奇趣多彩的音樂秘境。

東西交響《絢麗篇》I

East-West Confluence "Echoes from Afar – Encounters Between Europe and Asia" I
 

10.10 Sat. 14:30 國家兩廳院演奏廳（場館位置）​

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從德布西、譚盾、普朗克、藤昌大到布列頓  親臨東西文化激盪異彩紛呈

自十九世紀以來，亞洲與歐洲之間便展開了一段深厚的文化對話，其源起可追溯至維也納（1873年）與巴黎（1889年）兩場舉世矚目的世界博覽會。在維也納這場盛會，是歐洲人首次深入接觸日本的藝術與文化，而這場邂逅也觸發了他們對亞洲文學與音樂的長久迷戀。不久，中文詩與日本俳句的譯作開始風靡西方，激發出馬勒《大地之歌》，以及策姆林斯基（Alexander von Zemlinsky）等眾多作曲家以詩譜曲的創作。

1889年的巴黎博覽會，對音樂發展的影響尤為深遠。正是在此，德布西初次聽見亞洲之聲─五聲音階與甘美朗音樂閃爍流動的音色質地，這些元素成為日後印象樂派的核心，也徹底改寫了西方音樂的歷史。本場音樂會中，享譽全球的中國大提琴家陳亦柏，將演出德布西《大提琴奏鳴曲》，以及譚盾取材自電影《臥虎藏龍》配樂、極富畫面感的《大提琴奏鳴曲》兩個樂章。

日本最重要作曲家之一的武滿徹，深深被德布西的聲音世界所吸引。他進一步拓展印象派語彙，結合自身深厚的日本音樂傳統，創造出獨特的聲音融合，進而深遠地影響了整整一代日本作曲家。其中包括藤倉大，他筆下的《無人之無》（Nobody's Nothings）構築出精緻而炫麗的聲響空間，將由屢獲殊榮的日本傑出青年大提琴家北村陽演繹。

1937年的巴黎博覽會，則啟發了作曲家普朗克進一步探索亞洲音樂，尤其是那充滿聲響魅力的甘美朗音樂，他更將其融入《雙鋼琴協奏曲》之中。在普朗克為傳奇大提琴家皮耶・傅尼葉（Pierre Fournier）所作的大提琴奏鳴曲中，展現出的俏皮優雅與無法抗拒的魅力，堪稱大提琴曲目的瑰寶。我們很期待聽見備受讚譽的波蘭青年大提琴家克日什托夫・米哈爾斯基帶來的詮釋。

音樂會壓軸曲目，將由法國著名大提琴家朱利安．拉斐爾演出布瑞頓《大提琴奏鳴曲》。布瑞頓與民族音樂學家柯林・麥克菲（Colin McPhee）交情深厚，並因其研究而接觸到峇里島甘美朗音樂，進而將那閃爍流動的音響質感，巧妙融入奏鳴曲第二樂章。正因如此，這部作品呈現出嶄新的面貌──東西方的絕妙融合，至今依然令人驚豔與著迷，如同當年初次問世時一樣。

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▌演出曲目

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德布西：大提琴奏鳴曲
譚盾：《臥虎藏龍》大提琴奏鳴曲（選奏兩個樂章）
普朗克：大提琴奏鳴曲
-中場休息 –
藤倉大：《無人之無》
布列頓：C大調大提琴奏鳴曲，作品65

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*演出全長約100分鐘，含中場休息15分鐘。​

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▌演出音樂家

大提琴家：朱利安．拉斐爾、陳亦柏、克日什托夫．米哈爾斯基、北村陽／鋼琴家：盧易之

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▌音樂會購票

7月1日 中午12時 正式啟售 Opentix

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The 2026 3rd Taiwan International Cello Festival will present six concerts across National Theater and Concert Hall, National Taichung Theater, National Kaohsiung Center for the Arts (Weiwuying), and Yunlin Samsiu Garden. Through four uniquely conceived programs, the festival boldly explores the fusion and innovation of Eastern and Western cultures.

Spanning classical masterpieces, modern gems, and newly commissioned works, the performances will feature everything from solo pieces and piano duos to chamber music and concertos. Taiwanese audiences will have the rare opportunity to experience internationally renowned masters interpreting centuries of artistic dialogue between East and West, while discovering the cello's rich, colorful, and endlessly fascinating musical world.

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10.10 Sat. 14:30 National Recital Hall （Venue Location）

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For more than 150 years, a rich cultural dialogue has flourished between Asia and Europe, beginning with the great World Exhibitions in Vienna (1873) and Paris (1889). In Vienna, Europeans first encountered Japanese art and culture in depth—an encounter that ignited a lasting fascination with Asian literature and music. Soon, translations of Chinese and Japanese poetry captured the imagination of the West, inspiring works such as Mahler's Das Lied von der Erde or the poetic settings of Zemlinsky and numerous other composers.

The 1889 Paris Exhibition proved especially influential in the realm of music. There, Claude Debussy discovered the sounds of Asia—pentatonic scales and the shimmering textures of Gamelan music—elements that would become central to Impressionism and alter the course of Western music history. In this program, the acclaimed Chinese cellist Yibai Chen performs Debussy's Cello Sonata alongside two movements from Tan Dun's evocative Cello Sonata, based on his celebrated score for Crouching Tiger, Hidden Dragon.

One of Japan's foremost composers, Toru Takemitsu, was deeply drawn to Debussy's sound world. Expanding on its impressionistic language, he fused it with the traditions of his native Japan, creating a unique synthesis that shaped an entire generation of Japanese composers. Among them is Dai Fujikura, whose brilliantly crafted piece Nobody's Nothings will be brought to life by the distinguished and award-winning young Japanese cellist Yo Kitamura.

The 1937 Paris Exhibition later inspired Francis Poulenc to explore Asian music, including the captivating sonorities of Gamelan, which he integrated into his Concerto for Two Pianos. Poulenc's Cello Sonata—written for the legendary Pierre Fournier—is a work of irresistible charm and playful elegance, a true jewel of the cello repertoire. We look forward to hearing it performed by the young and celebrated cellist Krzysztof Michalski.

The evening concludes with a performance of Benjamin Britten's Cello Sonata by the renowned french cellist Victor Julien-Laferrière. Britten, a friend of ethnomusicologist Colin McPhee, was introduced to the world of Balinese Gamelan music through McPhee's research and incorporated its shimmering textures into the second movement of this sonata. With this in mind, the work reveals itself anew—an extraordinary fusion of East and West that remains as fresh and fascinating today as when it was first composed.​

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▌ Program​

Claude Debussy：Cello Sonata in D minor
Tan Dun：Crouching Tiger Hidden Dragon Sonata for cello and Piano（two movements）
Francis Poulenc：Cello Sonata
- Intermission - 
Dai Fujikura：Nobody's Nothings for cello solo
Benjamin Britten：Cello Sonata in C major, Op.65

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Duration is 110 minutes with a 15-minute intermission.
 

▌Artists​

Cellists: Victor Julien-Laferrière, Yibai Chen, Krzysztof Michalski, Yo Kitamura / Pianist: Yi-Chih Lu

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▌Ticket Purchase​

12:00 PM 1st July tickets available 

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